Do I Need To Wear Makeup On Green Screen
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Fix it with Greenish Screen
Every DP gets the aforementioned feeling when they hear, "customer wants light-green screen". It starts with the thought of "how minor of a room are they going to jam us into this time to do this"?
Rule #1 For good greenish screen, you need some space and a proper filming location. It is ideal to have the subject area four to 6 anxiety from the dark-green screen and y'all demand width for the lights. The bodily light-green screen too needs to be quite a scrap bigger than the subject you are shooting. We had a shoot with a pro basketball game player that chosen for a head to toe shot in front of light-green screen. He is over 7 feet tall and the producer had us in a studio with an 8 pes green screen, with him in front end of the screen 4 to half dozen feet, the green screen came up way short. We love a painted studio with syc, simply many budgets don't allow for this, so make sure you've got plenty of green screen.
That brings up Rule #2, lighting has to exist flat on the background, no bright spots and no shadows. Our guys like to use Diva lights for the green screen and a back highlight or rim light on subject area for separation.
Rule #3 The talent cannot wear anything that is green, seems similar a no brainer but many a time our guys run into talent who wears a apparel, jewelry, boom shine or shirt that has some green. We had a client who had green eyes that also keyed, non and so good for that job just it made for a smashing special outcome in a few movies we did with green contact lenses! Another lilliputian trouble expanse is hair and more specifically frizzy hair. Editors love bald guys when it comes to light-green screen, frizzy hair styles can cause edge problems and have led to many a makeup artist smoothing downwards some fancy pilus styles!
Rule #four Green screen is not a nifty default pick for the producer who is unprepared. Several times we have shot for producers who are unsure equally to what they want to fundamental, but they feel that green screen will "save them". This has led to more than one time our post production guys keying in a basic back drop, not a great employ of your potential highly customizable postal service-product resources!
Dominion #5 The professional person HD camera earth has made the whole green screen feel a lot easier just at that place are nonetheless some cameras that our guys like better for greenish screen. We similar the, Sony F55, Sony F800, Sony PMW 300 (50MB) and the Canon C-300. If you go directly to a recorder like the Sound Devices PIX 240 and record in AppleProRes 422 HQ our editors honey it! Since a blush cardinal works on the separation of colors yous want to have the most control over the chroma as your job will afford. Cameras that tape in a higher quality color space Always look better than cameras that don't. For instance 444 will central amend that 422, and 422 color space volition key amend than 420. Personally I wouldn't recommend using annihilation lower than 50MBps compression with minimum of a 422 colour space.
I am sure that any other 50MB camera will likewise do the play tricks, but nosotros stick to what we know works. Don't suggest trying a camera that you have never used, confirm information technology works for light-green screen with someone you trust with your reputation and trust me on the cameras I have suggested…they will get you great results.
Following these guidelines will insure that getting nifty results from your green screen shoot is piece of cake as the producer thinks it is!
Well-nigh Rocky Wyler
Source: https://crewscontrol.com/blog-central/blog-centralfix-it-with-green-screen/
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